Kinetic typography that moves as a graphic

Clypmint puts kinetic typography on footage you already shot. Type moves as a graphic, not only as a caption. You pick a style measured from a real edit, then change it in chat.

A Clypmint motion graphics film: kinetic type, cards orbiting a video player, platform icons, and chrome shapes on a pink field — Motion graphics

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Kinetic typography here is type that moves as a graphic. It is more than a caption line under a face.

Forest Print Editorial lands a giant lowercase word on the spoken word. Magenta Proof Consult rises for the problem and falls for the result. Mono Scatter Caption slams a payoff word in behind you. Sky Caption Minimal turns a money slam from white to gold.

SideShift Editorial un-scrambles letters in place. Clypmint Launch Film pops whole words on a 160 ms beat in a launch film built from a brief.

Those launch films start from a brief, with no footage. That door is open on every plan, and each film uses one AI edit.

Styles built for this

Forest Print Editorial
A green poster page with you cut out of your own footage, standing in front of a giant lowercase word.
Magenta Proof Consult
Hard cuts on your own consonants, type that rises for the problem and falls for the result, and a magenta card that holds the number.
Mono Scatter Caption
A crushed black-and-white talking head where cream captions scatter either side of your face and the payoff word slams in behind you.
Sky Caption Minimal
Restraint, then a shout: tiny centred captions, a teal jump-cut picture, and one huge gold figure about every ten seconds.
SideShift Editorial
White boards drift and never settle, an iris opens instead of a cut, and words land with a blank beat between them.
Gilded Plate Explainer
Two rungs of chrome and gold under the chin, and a cream plate you fly through instead of hold.
Clypmint Launch Film
Whole words pop on a 160 ms beat, one zoom-settle, a taste montage, an orbiting crown, and an ordered wall that pulls back to your mark.
Studio Launch Film
A drawn mark opens into a colour field, claims resolve out of dots, a composer rises and sends, and the camera pushes into your product.

How to do it

Upload the take. A person talking to a camera works. The type follows the speech. A launch film can start from a brief instead.
Pick a kinetic style. Choose a style whose type move you want. The gallery on this page shows them.
Get the type on the beats. Clypmint places each word and slam on the beat, then renders the whole thing.
Change it in chat. Ask for a word to hold longer, a different slam, or a style change.

What Clypmint will not do here

You pick from styles that exist. You cannot keyframe your own animation. Bespoke motion design still belongs in After Effects.

Questions

Is this the same as captions?

No. Captions follow the voice. Kinetic typography moves as a graphic: a giant word, a slam, a rise and fall.

Do I need After Effects?

No. You pick a style that already carries the motion. After Effects is for designing your own keyframes.

Can I keyframe my own type?

No. You pick from styles that exist. Bespoke motion design still belongs in After Effects.

Can I make a launch film with no footage?

Yes. A launch film can start from a brief with no footage, on any plan. It uses one AI edit.

What it costs to try

Starter is $39 a month. $39 today, then $39 a month. You get 30 finished videos a month. You get 10 full edits with the AI editor. You can save 5 reference styles. Downloads are clean, no watermark. Cancel any time. You keep the plan until the month you paid for ends.

Related jobs

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How it compares

Every comparison names the job the other tool wins, and every price on it was read from that company’s own pricing page on a printed date. See the comparisons. The styles themselves are on the styles page.

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